Center
7.6
Asterix & Obelix: Mission Cleopatra
(2002)
Political: Center
Diversity: Moderate
Pygmalion (1910)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Starring Cast
Bias Dimensions
Political: Leans Left
Diversity: Low
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central critique of class-based prejudice and its championing of individual dignity and social mobility align with progressive values, earning it a left-leaning rating. While the solution is individual transformation rather than systemic change, it challenges existing power dynamics and social norms.
This adaptation of 'Pygmalion' is assumed to feature traditional casting, aligning with the original play's characters. The narrative focuses on class and social mobility within Edwardian society, without explicitly critiquing traditional identities or centering modern DEI themes.
Secondary
The film 'Pygmalion' does not feature any discernible LGBTQ+ characters or themes. Its narrative, based on George Bernard Shaw's play, primarily explores social class dynamics and heterosexual relationships, thus offering no specific portrayal of queer identity or experiences.
The movie does not contain any action or adventure elements.
The 1910 film adapts the ancient Greek myth of Pygmalion, where the sculptor Pygmalion is male and the statue Galatea is female. There is no evidence that the film altered the established genders of these canonical characters.
The 1910 film 'Pygmalion' is an early adaptation of the ancient Greek myth. The mythical characters do not have a canonically or historically established race that would differ from their likely portrayal by actors in a 1910 European film, thus precluding a race swap.
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