The Guard (2011)

The film includes a transgender sex worker character whose portrayal is neither strongly positive nor negative. The protagonist's initial crude interactions evolve into a more respectful and philosophical exchange, demonstrating a nuanced, if incidental, depiction. The character's presence primarily serves to add depth to the main character rather than explore LGBTQ+ themes in depth.

The film, primarily through its protagonist Sergeant Boyle, consistently portrays Catholicism with cynicism and irreverence. Boyle's frequent sacrilegious jokes and observations highlight hypocrisy and superficiality in religious observance, without any significant counterbalancing positive depiction or narrative condemnation of his views.

A character makes a prejudiced and stereotypical comment conflating Arabs with terrorism, but the film's narrative uses this to highlight the character's bigotry and satirize prejudice, not to validate the negative portrayal of Islam or Arabs.

The film portrays a character making a prejudiced remark about Jewish people, but the narrative clearly frames this as bigotry, using it to satirize prejudice itself rather than endorsing the negative stereotype.