Viewer Rating
Combines user and critic ratings from four sources
1930s, Jiangxi Soviet Area. Jiang Mengzi bids farewell to his newlywed wife Xiang Wu'er and joins the main force of the Red Army on the Long March. Xiao Zhenkui, the leader of the "Communist Removal Group", took the opportunity to return to the countryside to launch a white terror. Mengzi's father, chairman of the Township Soviet, and his sister were killed at the same time. The pregnant Wu'er gave birth to a child on the way to escape. Wu'er is found out hiding and forced to work as a wet nurse. Will Mengzi return in time to save his family?
1930s, Jiangxi Soviet Area. Jiang Mengzi bids farewell to his newlywed wife Xiang Wu'er and joins the main force of the Red Army on the Long March. Xiao Zhenkui, the leader of the "Communist Removal Group", took the opportunity to return to the countryside to launch a white terror. Mengzi's father, chairman of the Township Soviet, and his sister were killed at the same time. The pregnant Wu'er gave birth to a child on the way to escape. Wu'er is found out hiding and forced to work as a wet nurse. Will Mengzi return in time to save his family?
The political bias of 'Red Flag on the Green Hill' cannot be evaluated as no details regarding its plot, characters, or themes were provided. Therefore, a neutral rating is assigned due to insufficient information.
The film, likely a Chinese production, features casting that is culturally typical for its origin, without indications of explicit DEI-driven recasting of traditionally white roles. Its narrative does not appear to explicitly critique traditional Western identities or center on specific DEI themes.
The film portrays traditional Buddhist practices and beliefs as superstitious and backward, hindering social progress and revolutionary ideals. It aligns with the narrative's critique of old societal structures.
Without any provided plot details or character information for 'Red Flag on the Green Hill,' an evaluation of its LGBTQ+ portrayal cannot be conducted. Therefore, the film's net impact on LGBTQ+ themes is undetermined due to a lack of content for analysis.
The movie does not contain any action or adventure elements.
Without information on the film's source material or specific characters, it is not possible to identify any instances where a character's gender was canonically established and then portrayed differently on screen.
This 1951 Chinese film is an original production depicting Chinese characters within a Chinese historical context. There is no evidence of characters being established as one race in prior canon or history and then portrayed as a different race in this film.
Combines user and critic ratings from four sources